From an individual’s perspective, Respire1(Aynohaynieye)is similar to a therapeutic release (or) exercise in the cyclical act of purging ones desire of controlling uncontrollable factors in modern life and in a time of recession. It is a personal response that leads back to an inward state, perhaps wordless, culminating in the dissolution of the self, or “I” and ends in a kind of spiritual renewal; a cycle that repeats.. 1x 2x 3x..and so on adinfinitum.
The title “Aynohaynieye” is reference to a kind of void and to the phrase “Ex nihilo nihil fit”(Latin for “Nothing comes from Nothing”)
In Spanish, “Ay” means to “sigh”..”No Hay” means “There is none” “ni eye” means ” Nor is there “eye” (or I). Eye stands for I as “me” the individual or it can signify your “eye” which “sees”, symbolic of renewel, spirit, etc.
The basis for my piece is the following days/weeks after the global recession hit. It was a time for recriminations, when the majority of banker were hate figures. I wanted to capture their feeling of hopelessness they must have felt and above all the feeling that the gravy train had ended, it was the death of the party. My piece captures the mood that the good times have ended. It uses a sample taken from a public train announcement, keeping only the words ‘i am very sorry’ evoking the commuters going to work and the feeling they must have had. They were alone and blamed by the world, an unimaginable situation.
Name: Carl Max
Location: London, UK.
Title: Crisis – What Crisis?
Year created: 2009
Creative Commons license: Attribution-Noncommercial-No Derivative Works 3.0
There is an old Buddhist adage that says;
“Before great good, comes great evil”
The impetus for creating this piece are the conflicting voices and sounds of the media (radio/TV/newspapers), and metropolitan life during this recessionary period.
I was also interested in the confusion between certain news bulletins, human anger, individual hopelessness and the confused cacophony emanating from city streets in England and in The USA.
The contrast between the sounds of impending doom coupled with an underlying sense of a potentially positive future are melancholic, strong and sometimes even funny.