Title: hope amongst chaos
Description: This piece is a conceptual interpretation of the sound of recession. Created using the sounds of malfunctioning machines and skipping records to symbolise a faltering economic system, the stuttering effect it can have on peoples lives, and the glimmers of hope and opportunity that emerge amongst the chaos.
Description: In reflecting on the recession, I have applied a reductive and/or recessive technique to my trumpet playing. Rather like the Global Financiers, the consequences of my actions are barely there.
The sound of recession came up in a hot afternnon , in the middle of an Italian summer,.
Outside were 42 degrees and people were trying to relax and think about the nothingness, I was reading a newspaper, it was talking about recession and economic downturn. Just words after words, adding shambles to global chaos.
While I was thinking about in what kind of boat the world will sink,a friend of mine, a carpenter, decided that was it. He said: I dont’ give a damn about, I don’t even know what you are talking about, I am just a worker with the a level, nothing more, you know what? I’ll go to have a shower to refresh myself and take a nap afterwards.
So I went to record his “indifference” about this world made of numbers, theories and fobias. He was incarnating the common sense through the hot environment of South Italy. He was singing while taking shower, because singing brings good mood and optimism…..
That was the sound of recession, a big interrupting noise followed by singing songs under a refreshing shower.
Name: Song-Ming Ang
Location: London, UK
Title: For Ebb (Falling)
Description: When there is a recession people are poor. Some resort to stealing. This is a poor man’s version of James Tenney’s “For Ann (Rising)”.
Title: Blue screen of Death
An error of the system? A bug inside? when did it start? it’s the actual government or it comes from the past?
it is a matter of memory, blank memory, it seems that we don’t really want see or hear.
A little echo just pass almost imperceptible and still reminds
the country has more than 50 years of war, a fight of sides where the people seems not to care, people that hold an economy of war, hopping some day more investments for study, social security, and health. They believe that the new upcoming politician will accomplished his promises.
Now our neighbour has freeze all diplomatic relations, no commerce between the two countries.
capitalism, socialism or communism? whatever they are, their real interests are themselves, not the people.
Title: sack round the freezing tree
a response to the tumultuous events in london this spring at the time of the g20 meeting/protests and very much inspired by brechts poem spring 1938. while not comparing our times to the coming world war that brecht wrote about we are nevertheless all losers in the invididious if subtle war currently taking place against our environments, our economies and our freedoms
Licenced under the Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales Licence. (i.e. only the non-commercial bit is different)
the feeling of loss and of misunderstanding on 9 overlapping voices of the first ministers of the 8 major countries and the President of the European Union talking about the NEW global crisis (every speech is taken from registration of the recent G8 or the World Economic Forum). so many words that no one can understand the sense.
Title: Torquay is Closed
Description: This is Torquay on the south coast of England. I wandered around a couple of shopping arcades noting what was closed or struggling. The sound quality isn’t very good – I was speaking into the microphone on my camera.
Title and Description:
“Online Dating During the Global Crisis” shows what happens when the “global crisis” starts affecting “the dating scene.” That is all I will write, because I think it would be best to allow the voices in the piece to speak for themselves.
Both works are from a series of interlinking radiophonic miniatures entitles insitu bacia, a work about the Amazon basin.
‘The basin consists of a hugely diverse sonic palate, and supports around 30 percent of the world’s terrestrial species. To the observer and listener, this can result in an experience of manifold sonic dimension and expression, not to mention a universe of spectral detail, intrigue and surprise. The works reflect a personal contemplation of life within the forest.